Walk Hard: the movie that wasn't nearly as funny as it was hyped-up to be

*****

So it's been a while, I know, but it's New Year's Eve and I just finally got the chance to sit down for a movie. There are a few interesting titles out right now - I Am Legend, National Treasure: Book of Secrets, and Juno, all of which I am excited to see - but my boyfriend and I decided that we needed to watch a great new comedy.

We did not watch a great new comedy.

Walk Hard: The Dewey Cox Story stars an amazing lineup with John C. Reilly; Jenna Fischer; Kristin Wiig; Tim Meadows; Chris Parnell; David Krumholtz; Harold Ramis; Frankie Muniz (as Buddy Holly); Jack White (from The White Stripes, as Elvis); The Temptations; Jewel Kilcher; Ghostface Killah; Lyle Lovett; Jackson Browne; Justin Long; Paul Rudd; Jason Shwartzman; Jack Black; and a special appearance by Jonah Hill.

You would think that with such an incredible cast, the plot would present something entertaining. While it was unique in story, it was not unique in its overall quality, which was poor (much like many other movies that have recently been released).

WARNING! This review contains PLOT SPOILERS! Do NOT read on if you get upset when parts of movies are given away before you see them.

Dewey Cox is not unlike many other children in most ways: he dreams, laughs, and plays with his musical prodigy-brother, Nate, - that is, until he cuts Nate in half with a machete. But it is this strange and unfortunate mishap that helps Dewey discover the Blues. His father disowns him, forcing Dewey out of the house at age 14 when his music gets the town in uproar at a talent show. Dewey vowed he wouldn't need anyone or anything but his music, but it isn't until his early seventies that he learns that family is the one thing he truly needs.

Cute story - check.
Sexual innuendos - check.
Great laughs and non-stop chuckles - unfortunately not. Although it included many of the same actors, Walk Hard didn't bring the entertainment that movies like Knocked Up, The 40-Year-Old Virgin, or Superbad did. I was expecting much more from such a highly-reviewed film.

Wait until this one comes out and rent it for $4. Or you can just check sites like http://www.movieforumz.com/ and watch it for free - but you didn't hear it from me.

Despite my lack of faith in the movie industry these days, there are some other movies I am excited to see soon: The Eye looks interesting, as do One Missed Call and Cloverfield, and of course, Sweeney Todd: The Demon Barber of Fleet Street. Oh, Johnny Depp.

Cloverfield contest

This is a contest to win a special screening of the movie Cloverfield in my hometown! I need to get as many people as I can to "Grab" this widget so I can get my name on the leaderboard. Second place wins a digital camcorder, and third place wins a digital camera, so it would be great even to win second place! Anyone who helps can shoot me a message and if I win, I'll invite you to the screening! Thanks for your help!

Audiences feel a "Rush" of emotion

*****

Let me start off by saying that I cry easily, so it’s possible that everything that follows this disclaimer is merely the opinion of an overly-emotional, dramatic, teary-eyed 20-year-old girl. Having said that, August Rush made me cry – at least four times.

The movie follows a young orphan boy named Evan Taylor, played by Freddie Highmore (Charlie and the Chocolate Factory), who believes so strongly that music will reunite him with his biological parents that he leaves the orphanage where he grew up in order to pursue his dream: to have a family. He is met with many emotional obstacles along the way, but his willingness to learn and his talent for music brings him the courage and success he’ll need to survive in a cold New York City – it may even bring him one step closer to his parents.

Highmore is an amazing little boy, and although his teeth are hugely disproportionate to his face, he is overall quite adorable. He is successful in hiding his natural British accent for the film, which is a skill some seasoned actors cannot say they have yet mastered; and although the film is extremely touching and sensitive, Highmore only shows his vulnerability at exactly the right moments. We can look forward to seeing this kid in The Spiderwick Chronicles - although I can’t actually say I’m looking forward to seeing that movie – as well as hearing him as the voice of Pantalaimon in the newly-released film The Golden Compass.

Keri Russell and Jonathan Rhys Meyers play his biological mother and father, a concert cellist and Irish rocker, respectively, whose deep commitment to music connect them to each other and to Evan in ways they could not have foreseen. Russell and Meyers depict two young musicians who struggle to maintain social lives and retain a sense of sanity in a world where they do not really know their true selves until they find each other. Each plays the part wonderfully, but what else would you expect from the loveable Felicity and the guy who played Elvis and King Henry VIII?

From one sap to another, I recommend you see this film at least once. If it helps, my manly boyfriend loved it, too. And so did his mom, and his sister, and every other man and woman in the theater with us. I promise, I wasn’t the only one crying. Check it out.

The "Wet Blanket" Wicker Man

*****
That's right - The Wicker Man was boring as hell, and that's putting it nicely. But what else can we expect from a Nicolas Cage movie succeeding his role in the first National Treasure installment? (If you couldn't tell, it is my opinion that every movie he has starred in since then has pretty much been a "flusher," meaning they were all absolute crap.)

The Wicker Man (version 2006), starring Nicolas Cage, Ellen Burstyn and Leelee Sobieski, is a remake of The Wicker Man (version 1973), which starred Edward Woodward, Christopher Lee and Britt Ekland. Cage plays a police officer who is requested by an ex-girlfriend named Willow (Kate Beahan) to come to the secretive island known as Summersisle, where she lives in a colony of nature worshippers, to find her missing daughter. When he arrives, however, the other members of the colony deny the missing girl's existence, sending Cage down a spiral of misleading clues and set-ups that will ultimately lead to his demise.

I had very high expectations of this movie, none of which were met. The story was stupid and one I have heard before; the lead actor was seemingly disinterested and just overall bad; and the ending was ridiculous and completely expected. I figured this film had come before Cage's downfall, but it actually seems like The Wicker Man marked the subsequent death of his previously-impressive acting resume.

Don't rent it. Don't On-Demand it. Don't download it. Don't watch it.

Boo, Nicolas Cage. Boo.

"Lady in the Water"

So I'm going to attempt to make a videocast pretty regularly, meaning either every week, every other week, or monthly, if I get that behind... I'll give a brief synopsis of one movie each time, along with critic reviews and my opinion.

This is my first installment - enjoy, and please let me know what you think!

The return of what? Not a thriller...

*****
Sarah Michelle Gellar plays Joanna Mills, a traveling saleswoman who devotes her life to the business, in the 2006 psychological thriller The Return.

On a sales trip to Marlin, Texis, Joanna finds herself experiencing recurring fainting spells, during which time she has visions of a murder that occurred when she was only 11 years old. She awakens from these spells in random places with cuts on her arms and legs that were self-inflicted with a switchblade she keeps in her pocket. Joanna is set on uncovering the origin of her frightening visions, which are proving to be more accurate with each spell. Her determination leads her down a path of discovery, passion and murder; but losing her identity may be the scariest part of all.

Overall, the movie was interesting... at best. I didn't jump as much as I had expected (or hoped) to. There were no scary faces, no completely unexpected moments. The film had its plot twists, but not so unpredictable were they, nor was the ending. If there's anything good at all to be said about this movie, it's that Sam Shepard is the best - he plays the best father role, not only in this movie but also in The Notebook. I wish he were my dad (But, who wouldn't love that?).

ERADICATION. STERILIZATION. RE-POPULATION. RE-INFECTION.

*****

Some might call me a horror movie buff. Some might say that I have no soul. I believe that the rush of adrenaline I get while watching a scary movie is exhilarating; my favorite part is waking up in my room at night in complete darkness or walking from a parking garage on campus to my residence hall and letting my imagination spook me. And that is the best aspect of the 28 Days Later series - the two films have successfully managed to scare me, which hasn't happened with many others.

15 DAYS LATER: MAINLAND BRITAIN HAS BEEN QUARANTINED

28 DAYS LATER: MAINLAND BRITAIN HAS BEEN DESTROYED BY THE RAGE VIRUS

5 WEEKS LATER: THE INFECTED HAVE DIED OF STARVATION

11 WEEKS LATER: AN AMERICAN-LED NATO FORCE ENTERS LONDON

18 WEEKS LATER: MAINLAND BRITAIN IS DECLARED FREE OF INFECTION

24 WEEKS LATER: RECONSTRUCTION BEGINS

28 WEEKS LATER

In early May I went to see 28 Weeks Later, the 28 Days Later sequel, with my friend Ed and one or two of his buddies. (Ed and another friend, Mark, run a really great entertainment blog that everyone should check out.) I'm so glad Ed was there because he gave me an arm to squeeze when parts of the movie actually scared me. And just as a side note, because we saw the movie opening weekend, we got free posters!

In 28 Days Later, a group of scientists are using chimpanzees to test a the effects of a new 'virus' - pure rage. A group of animal activists set out to release the chimps, unaware that the poor creatures are infected with the virus - which is transferred when one being comes into contact with infected DNA, found in both blood and saliva - and extremely dangerous. The virus spreads like wild fire, and over 28 days, Great Britain is overwhelmed with the infected. A few survivors struggle to stay alive, hiding and running from the virus as long as they can, hoping that there is still someone alive who can save them.

28 Weeks Later picks up - you guessed it - 28 weeks after the initial outbreak of the rage virus. An area of London has been quarantined by the U.S. Army, which reassures the world that the infection there has died-out; thus, repopulation begins.

Andy (Mackintosh Muggleton - and yes, that really is his name) and Tammy Harris (Imogen Poots - almost equally bizarre) return to England after being overseas during the outbreak of the virus and, therefore, safe from harm. Upon his re-entering, Andy is told that at only 12 years old, he is the youngest person residing in Great Britain. The kids are reunited with their father, Don (Robert Carlyle, Angela's Ashes), who survived an attack by the infected while hiding in a cottage. Don then has to explain to his children how their mother, Alice (Catherine McCormack), died (although he chooses to exclude the fact the he left her behind to be killed by flesh-eating zombies).

Andy is worried he will forget his mother's face, so he and Tammy concoct a plan to cross the quarantine barrier around the safe area where the survivors are housed, known as District One - for clothes and a photograph of their mother, mind you - into what remains of Great Britain, which has become a wasteland. The movie isn't boring up until this point, but things certainly take an interesting turn when Andy and Tammy reach their family's house and discover something that will change their lives, as well as the lives of the survivors back at quarantine, forever.

Muggleton and Poots are newcomers to keep your eye on. Although it was his first movie and there haven't been any since, Muggleton is sure to pop-up on the big screen again soon. Poots was previously seen as the young Valerie in V for Vendetta and can be seen in two upcoming films, Miss Austen Regrets and Waking Madison. Another actress to watch out for is Rose Byrne, who has acted in films such as Wicker Park, Troy, and one of my personal favorites, Sunshine.

I was disappointed that Cillian Murphy was not in the second film as well; he is one of my favorite actors, and it's not just because he's dreamy. It would have been interesting to see what became of his character after seven months (for those who don't know, Murphy was the main character in 28 Days Later). However, Days was a lower-budget film than its sequel, and although they cover the same general story line, the two films are very different.

Rolling Stone writer Peter Travers declared Weeks is unique in that it is "a sequel that doesn't suck," and I concur.

28 Weeks Later was released on DVD and Blu-Ray October 9 in the states. Pick it up, right now, and watch it - you will enjoy it. And I must have uncanny timing because this review comes approximately 28 weeks after the film's [theater] release date.

Alec Baldwin is a failure, but you already knew that

*****

In his time, Peter Boyle could have made any movie worthwhile.

Alec Baldwin, on the other hand, only makes me wish I had the last 108 minutes of my life back.

Although the The Shadow was nominated for four Saturn Awards in 1995 by the Academy of Science Fiction, Fantasy and Horror Films, USA - Best Actress, Penelope Ann Miller; Best Costumes, Bob Ringwood; Best Music, Jerry Goldsmith; and Best Special Effects - all I can bring myself to do while watching this movie is laugh.

Based on the 1930s comic strip, The Shadow is a movie about a man who uses his ability to become invisible and to "cloud men's minds" with the power of telekinesis. He fights his arch-nemesis, Shiwan Khan, played by John Lone, in order to stop him from holding the world ransom with an atomic bomb. Tim Curry plays a supporting role as Farley Claymore, the conniving evil sidekick - a character he plays so very well. Penelope Ann Miller plays Margo Lane, the damsel in distress who is able to help save The Shadow in the end, and Peter Boyle plays The Shadow's sarcastic cabby.

This movie is ridiculous - I'm not even sure that this fully deserves a review, but you can decide for yourselves. Go watch The Shadow for shits-and-giggles. It's only worth about the $4 you'll spend on the rental.

The little film that could

*****
Until a recent excursion to Washington D.C., I had never heard of Terry Gilliam, nor had I heard of his 2006 (2005 UK) fantasy film entitled Tideland. I bought it, judging the movie by its cover and cast list - which I've heard is a bad thing to do - and hoping that I would not be disappointed by the $27 DVD. After watching the 121 minute movie, I can honestly say that I am not disappointed, but more intrigued, impressed, and mostly satisfied with my purchase.

In a world where fireflies are fairies who have names, plastic doll heads speak in varied dialects atop fingertips and squirrels talk, ten-year-old Jeliza-Rose (Jodelle Ferland - Silent Hill, Kingdom Hospital) escapes the reality of her drug-addicted father and the death of her mother. She finds companionship in the mentally damaged Dickens, played by Brendan Fletcher, and fear in Dickens' older sister, Dell, played by Janet McTeer, all the while trying to find herself in a world that could never accept her upbringing.

Even though she is just a child, Jeliza-Rose is forced to act much like an adult. Her two addicted parents make it clear that they cannot take care of themselves, so Jeliza-Rose is put in a situation where she has to take care of them. While her mother - played by Jennifer Tilly - mainly asks Jeliza to massage her legs, her father - played by Jeff Bridges - goes as far as to teach Jeliza how to prepare his meth and heroin injections, to the point where Jeliza arranges his syringe daily, catching his cigarette hand after each fix to make sure he doesn't light the house on fire. When her mother dies, Jeliza-Rose and her father run away to her grandmother's abandoned house in a place called Jutland. The first day there, Jeliza prepares an injection for her father to go on another "vacation," one from which he may not return. Dell and Dickens become Jeliza's temporary family, but their warped view on life only confuses the girl more, forcing her deeper into "the rabbit hole."

There is so much more to this movie, but to explain further would give a lot away - more than I already have! If you have seen and enjoy movies such as Pan's Labyrinth and Big Fish, there is a good chance you would enjoy the creativity presented in Tideland. The movie will offend and bother many people because it brings to light issues involving children, maturity, addiction and sexuality, but one need remember that it is a fictional movie; an imaginative story; a thought-provoking piece of art, and not something that should be taken so seriously.

My sink is spilling cellophane

*****

I know it came out some time ago, but I only just got the chance to watch Michel Gondry's The Science of Sleep. Let me just say: I regret waiting so long... Gael Garcia Bernal is WONDERFUL.

Stephane, the son of a femme francaise and an hombre mexicano, is a twenty-something who finds it hard to separate what is dream from what is reality. After the death of his father, Stephane moves to France when his widowed mother makes him believe she has secured for him a creative illustrating job at a calendar company. This, in fact, is a lie she concocts to bring Stephane closer to her, leaving him with a job he hates (pasting titles on the tops of calender pages), an undersized bed (the same bed he slept in as a child, complete with little boy-inspired trucker bed linens), and a gorgeously intriguing francaise neighbour named Stephanie (played by Charlotte Gainsbourg)- but wait a minute; that isn't really so bad. Stephane and Stephanie become extremely close, sharing their inspirations, creative ideas and inventions from one-second time machines, to water composed of scraps of colored cellophane surrounding a forest in a boat.

Stephane's dreams include an eight-inch electric razor with metallic spider legs that he uses to overtake his boss, who stifles his creative ideas; he and his co-workers dressed-up in animal suits while performing a song to woo Stephanie; and swimming through the sea of the city to deliver his apology letter to Stephanie, which turns out to be about the length of a novel and the size of a cardboard display project. In my personal favorite fantasy, Stephane's hands each grow to the size of a small child and he fights off the responsibilities of his job, including the post-it notes stuck to his flag pole fingers.

All of Stephane's dreams take place on "Stephane TV," the fantasy world where he broadcasts his dreams to whatever audience, showing them how to make a dream.


"Hi, and welcome back to another episode of 'Television Educative.' Tonight, I'll show you how dreams are prepared. People think it's a very simple and easy process, but it's a bit more complicated than that. As you can see, a very delicate combination of complex ingredients in the key. First, we put in some random thoughts. And then, we add a little bit of reminiscences of the day... mixed with some memories from the past. [adding in some pasta] That's for two people. Love; friendship; relationships... and all those 'ships,' together with songs you heard during the day, things you saw, and also, uh... personal... Okay, I think it's one," Stephane tells his viewers as a dream materializes in a puff of red smoke from his cooking pot.

Without giving too much away, I recommend the movie to anyone and everyone - whether you are the creative type; a wet blanket; a movie lover or a bookworm, you will be able to find something you can enjoy and relate to in this movie.

More Like "Plight of the Dying Movie Genre: Audiences Are Sick of Zombies"

*****

It's true; I don't know many people who are satisfied with the list of zombie flicks, especially those released over at least the last two years. Zombie-oriented films seem to have lost the ability to retain an interesting plot, although they are sometimes fortunate enough to make up for that impotence in gore and cheap screams.

Flight of the Living Dead: Outbreak on a Plane, formerly titled "Plane Dead," (2007) is a movie about zombies - who could have guessed it? The twist, though, is that they're on a commercial airplane, and there's nowhere to go but down.

I'm not even going to describe the characters specifically because they're pretty much the same as any other zombie/horror film, but I'll generalize: the hero, played by David Chisum; the girl, played by Kristen Kerr; the bad guy, played by Erick Avari (The Mummy); the bad-guy-who-makes-you-laugh-and-then-it-turns-out-he-isn't-really-so-bad-because-he-helps-you-not-die, played by Kevin J. O'Connor ("Benny" from The Mummy); and the creepy-yet-intelligent undercover agent, played by Richard Tyson. Of course, the movie also includes the novelty horror movie characters - the teenage lovers, the doctors and scientists, the children, the sinners, and even a nun.

A commercial flight takes off with all of its passengers, as well as a special cargo - so special that it has to be guarded by a nervous man in a biochemical containment suit weilding a machine gun. That cargo turns out to be one of the scientists' wife, who was exposed to a dangerous chemical that would reanimate her lifeless body, should her life be lost. The guard is there to make sure that she does not wake up from her slumber during flight, and he is successful until the plane is forced to fly through an intense storm that causes quite a ruckus on board. Bags fly out of their carry-on compartments; passengers rock back and forth in their seats; the cargo is throttled from side to side until, of course, the woman's holding tank is opened and she is awakened. It isn't until the guard shoots her, however, that she becomes a real problem, and since he is incapicitated by a large box that fell and, obviously, broke his leg, all he can do is shoot her and hope she stays down (which she doesn't).

He dies, obviously.

The scientists call down to check on their cargo, but when they get no word back from the guard, they are forced to investigate for themselves. With two zombies now roaming the holding deck, you can imagine what happens next... and thus, the undead and all the mayhem they bring are unleashed upon the plane's unsuspecting passengers. While everyone dies pretty gruesomely, four of the five main characters survive the flight and its subsequent downfall (The bad guy dies because, well, he was bad, and bad people die.).

Although the storyline was pathetic and expected, I found myself hiding behind my hands during certain scenes. This is not because the movie itself brought me unease, but because I am scared of faces - not normal faces, those are just weird - and they are abundant in this film. The flesh is torn away from the skin; the eyes are bulging, yellow and red; the ears are hanging off their heads, and I'm sure that's not where they belong. The worst face for me was the main bad guy's face; at the end, when he gets his "just desserts," his face is slashed much like that of Elizabeth Short (WARNING! the preceding image of the "Black Dahlia" is extremely graphic and I recommend you do NOT click the link unless you have a strong stomach and are not easily prone to nightmares.) and you can see his teeth, making it look like he's always smiling, just waiting to bite your face off. One thing that made the movie worthwhile, however, was that an Asian passenger strapped himself in his seat too tightly and couldn't figure out how to undo the seat belt on time, so he was torn-up by one of the flight attendants and flushed out into the sky by the force of the decompression after the side of the plane was hit by a missile. Good stuff.

Overall, Flight of the Living Dead was... eh. Watch it if you're bored, or just a zombie-lover, as I am.

The following is not a trailer for the movie, only a clip. It's the scene where the nun... well, just watch it.

Superbad is super good

*****

Anyone who enjoyed Knocked Up from director Judd Apatow needs to see director Greg Mottola's film, Superbad. There isn't much to argue against that statement - it's even the first film I give five stars!

Seth Rogan is at it again, this time as the hilarious Officer Michaels, who, along with Officer Slater, played by Bill Hader, just can't seem to stick to the rules.

Arrested Development's Michael Cera and Jonah Hill (The 40 Year Old Virgin; Grandma's Boy; Accepted; Knocked Up) star as Evan and Seth (respectively), two graduating high school seniors who set a goal to get "laid" over the summer but face some obstacles along the way. Christopher Mintz-Plasse stars as their super-nerdy friend Fogell, who gets a fake I.D. so he can buy liquor under the name "McLovin." Fogell befriends Officers Michaels and Slater and embarks on his own wild summer night, while Evan and Seth do the best they can not to be arrested or beat up. Ultimately, these three geeky guys turn out to be pretty cool, each one wooing their girl and achieving a sense of self-dignity and confidence they had not previously had.

While the plot may seem a little played-out (American Pie; Revenge of the Nerds), it holds strong in Superbad because of the movie's unique cast and style.

Good Luck Chuck baffles audience members, average rating "D"

*****

Reviews of Good Luck Chuck are so horrible that it will be surprising if we ever hear good things about Dane Cook again; critics and most audience members are all asking the same questions: "What was Jessica Alba thinking? Was she thinking?"

Though I so hate to stray from the pack, I actually enjoyed the new Mark Helfrich comedy. It was a cute, funny story that I had never seen in movies before, which was refreshing because most movies these days are sequels, prequels, or spin-offs.

Charlie, played by Dane Cook, is a quirky dentist who just can't seem to find love. In fact, every time he sleeps with a girl, she leaves him and marries the next man she dates. Once word gets out that Chuck is a good luck charm, women everywhere flock to his side, begging him for unbridled sex. Chuck doesn't mind at first, but as he continues to be the stepping stone for each woman's real relationship, he begins to feel used and melancholy.

When Charlie meets Cam Wexler, played by Jessica Alba, he believes he may have finally found his soul mate. The only problem is that when things start to get serious, Charlie fears that if he sleeps with Cam, he will lose her to the next guy she meets. So, he gets a little crazy, pulling stunts that include punching a random guy in the face and jumping out of a box in a penguin costume.

With comedic sidekicks Dan Fogler (Balls of Fury) as Charlie's horny best friend and Lonny Ross (Tina Fey's 30 Rock) as Cam's brother, the movie brings together a humorous collaberation of comedy and drama in a chick-flick package. Don't get me wrong, though - the movie is great for guys, too; there are plenty boobs and sex scenes, although they seem to be what most of the film's low ratings were based on.

Aside from the nudity and somewhat-lack of chemistry between Alba and Cook, the movie was a nice addition to this year's releases. Although it may just be swept under the rug as another failure, I will more than likely purchase it when it is released on DVD in a few months (if I am financially capable, of course).

Resident Evil provides nothing new for zombie-philliacs

*****

The zombies are still un-dead; the world is still in ruins; Milla Jovovich is still dressed like a street-walker; so what is new in the third (and hopefully final) installment of the Resident Evil series? Not much. Resident Evil: Extinction, released in late September, follows the storyline where it ended in the second movie, Resident Evil: Apocalypse (2004).

After the T-virus outbreak at Raccoon City, a group of survivors are on the move, traveling in a caravan from city to city in search of a haven from the infection. These survivors include Carlos Olivera, the S.T.A.R.S. agent who first appeared in RE2, played by Oded Fehr (The Mummy; The Mummy Returns); L.J., the funkified scaredy-cat who avoided death about three times in the second movie, played by Mike Epps (Friday After Next; The Fighting Temptations); and newcomers: Claire, the strong-willed leader of the caravan, played by Ali Larter (House on Haunted Hill; Final Destination 1 & 2; Heroes) and Betty, the kick-your-ass/cauterize-your-bite-wound nurse, played by R&B Princess Ashanti (Coach Carter; John Tucker Must Die), amongst others.

The survivors set up camp at a seemingly-abandoned building, as would be expected from any "scary" movie, when a crowd of crows begins to swarm around them. Those birds, they realize, have been feeding on infected flesh - the bodies of the people the zombies killed - and now they want the survivors'. It is at this point in the movie that Alice (Jovovich) and the survivors are united in a throwdown, as Alice uses her newly-mastered superhuman telekinesis powers to encompass the fowl crowd in a sea of fire.

The caravan decides to head towards Alaska based on information Alice found in a diary that claimed the 49th state was free of infection. In order to make it there successfully, though, they need gas. Next stop: Las Vegas, Nevada - only now, the city is overrun by desert, its buildings covered in miles of sand. It doesn't take long before Dr. Isaacs (Iain Glen) of the Umbrella Corporation finds Alice in the City of Sin and sends his zombie minions out to take her down once and for all.

The movie was very predictable and not extremely innovative in its plot, but it turned out to be more entertaining than I expected. The main issue many fans of the Resident Evil video games have had with the movies is that few of the original characters have been in the movies; Alice, for example, is a completely new character who is never seen in the video games, along with every other character that appears in the three-film series except for two: Jill Valentine, seen in the second movie, and Claire Redfield, seen in RE3 (both are actual characters in the video game series).

Overall, the movie was acceptable - definitely not the worst zombie film ever made. As a zombie fanatic, though, I had hoped for better.

Zodiac cast displays impressive knowledge and sincerity

*****

2007 brought some delightful films - 300, Spider-Man 3, even, and I cringe to say it, but, Shrek The Third (which, to my surprise, grossed $784,412,359 worldwide; about $624,412,359 over the budget they spent to make it) - none of which really enthralled me as deeply as Director David Fincher's Zodiac was able to. The movie literally had me biting my hand like my boyfriend's pessimistic Italian grandmother and wiggling underneath my bed covers. "I know who the killer is! I know who it is! I should have been there to catch him, the case would have been solved by now!!" That's what I screamed four or more times in my head throughout the movie.

I was so wrong. The players were so believable that I wasn't able to see how misleading some of the clues were; just as the detectives did, I followed certain clues without thoroughly questioning "Why"or "How."

The movie's cast was chosen perfectly: Jake Gyllenhaal, who has a short repertoire for an A-List actor (Jarhead, Brokeback Mountain, Donnie Darko), played the lead role, Robert Graysmith, a cartoonist for the San Francisco Chronicle in the late 60s and 70s, who in the end was the only person willing and determined enough to crack the code and discover the identity of the true Zodiac killer. This determination, however, became an obsession, subsequently destroying his marriage and his career as an illustrator. Gyllenhaal was able to evoke an understanding out of audience members, which allowed them to feel Graysmith's pain and his desire to solve the murders once and for all by writing a book of all the information collected from October 30, 1966 (the date of the first murder linked back to the Zodiac killer), to its being published in 1986. The audience was there, solving it with him step by step (only about 32 years later).

Mark Ruffalo, probably best known for his roles in 13 Going On 30 (2004) and All the King's Men (2006), played Inspector David Toschi of the San Fransisco Police, whom he looks just like in the film with his bow tie and curly dark hair and sideburns. His performance was admirable and sincere - he wanted to find the murderer so badly, you could see how much it pained him to let a man kill 37 innocent people (so he claimed in his letters; only 5 were officially known as Zodiac murders). He saw what the case did to his partner, and he fought against letting it get to him the same way.

Toschi's partner, Inspector William Armstrong, was played by Anthony Edwards, best known as Dr. Mark Greene from 1994-2002 on TNT's hit drama ER. His character isn't developed much in the film, but you are able to see how the case eventually breaks him down when he transfers out of Homicide because he could no longer handle "being on-call."

The film also starred Robert Downey Jr. as Chronicle reporter Paul Avery; a hot-headed, ill-mannered writer whose superiority complex drove him from the Chronicle to the Sacramento Bee, and finally, the San Francisco Examiner until he retired. Downey's character's life seemed to mirror that of his own (in former and even recent years), consumed by alcohol, depression, and severe social humiliation. I can't say I was impressed at his acting because he may not have been acting at all; then again, I fell in love with Downey in 1994's Only You when I was seven years old, so I can't hate him, either.

Zodiac also starred Brian Cox as Melvin Belli, the only man whom the Zodiac killer officially contacted for help from his "sickness" (is that what murder is?); Chloe Sevigny as Graysmith's blind date/wife/ex-wife; and John Carroll Lynch as Arthur Leigh Allen, the man believed to-date to be the true Zodiac killer as revealed in Graysmith's books, Zodiac, and Zodiac: The Identity of America's Most Elusive Serial Killer Revealed.

An interesting sidenote about the cast is that Gyllenhaal, Downey, Ruffalo and Lynch all bear striking resemblances to their real-life counterparts, Graysmith, Avery, Toschi and Allen, consecutively.

The movie was a great psychological thriller that left me with the most obvious question unanswered (who styled Ruffalo's hair?), but also with many affirmations: Gyllenhaal has got it all; Downey brings his work home; and cartoonists can solve crimes better than trained detectives and entire police forces compiled from 4 major U.S. cities.

Seriously, though, this movie sheds light on the hardships of the people involved, not only through the victims' and families' eyes, but also through the men and women who dedicate their lives to rescuing, protecting, and helping us. As a society, we let things go very easily, whereas these people are consumed by those same things. Maybe someday the case will be revamped and new technology will allow us to know absolutely that Allen is the killer; since he died August 26, 1992 of natural causes, we will never get his confession.

The movie's tagline:

"There's more than one way to lose your life to a killer."